Equipment list

Microphones:

1 Nueman M49 (tube), 1 Neuman U87, 3 AKG 451, 2 Earthworks TC 30K, 1 Audio Technica AT 4033 A, 2 Ehrlund EHR-1 (tube), 2 Coles 4038 (ribbon), 2 Cascade Win Jet (ribbon), 2 Cascade Fat Head II (ribbon), 2 Cascade Fat Head (ribbon), 1 Cascade X15 Stereo (ribbon), 1 Sontronics Sigma (ribbon), 1 Beyer TX55, 3 Sennheiser 421, 1 Sennheiser 441, 8 Shure SM 57, 1 Shure B52, 2 Shure SH55, 1 Shure Green bullet plus a number of old low fi microphones for all sorts of applications.

Microphone pre amplifiers:

10 API 512, 2 Chandler Germanium, 2 Manley VOX Box (Stereo matched tube), 2 Grace M501, 1 Focusrite 428 MK II (4ch), 2 Heritage 73 JR, 1 Vintage Design M581Mk2, 2 Lindell 6×500.

Recording Device:

SSL Soundscape MX 4 hooked up to 2 SSL Alpha Link SX, a 256 track 24 bit recording system. Apogee AD/DA’s all the way. Rosendahl Nanoclocks as wordclock.

Mixing system:

SSL Soundscape MX 4 hooked up to 2 SSL Alpha Link SX sent to a 16 channel API 8200 console with insert/sends automated. UAD Quad Custom card.  API 2500 mixing bus compressor, Apogee Rosetta 200 AD.

Controll room Monitoring:

Grace m904, Genelec 1031 plus Genelec 7070A Sub bass. Genelec 1029 plus Hitachi Lo-Fi boxes.

Studio Monitoring:

JBL L56 ref speakers, 8 channel personal cue, AKG 141 and Beyer Dynamic headphones

Outboard:

API 2500 mixing bus compressor, 1 stereo Fairman (tube) comp, 3 Empirical Labs Distressor comp, 1 stereo Vintage Design Cl1mk2, 2 Purple Audio Action, 2 DBX 160 comp, 1 stereo GML Parametric EQ, 1 Safe Sound Stereo Toolbox, 1 stereo Golden Age Project COMP-54 MKII, 1 Urei LA-4, 1 Hewlet Packard Tube overdrive, 1 Echoplate plate reverb (early 70’s), 1 Roland Space echo (tape delay) plus a wide range of guitar/bass FX pedals.